Fluid Audio F5 Fader Series Active Studio Monitor w/ F8 Sub, Studio Monitor Stands and FREE Cables
The F5 studio monitor is the model that started it all for Fluid Audio. When they decided to enter this market, they wanted to address many of the issues found with monitors at this price point. Fluid Audio didn't realize that so many others would want the very same thing! While it is often referred to as a “budget” monitor, the F5 brings a lot of technology and value to the table. The amplifier rear panel has not only XLR and TRS inputs for more professional applications, we have also included an RCA input for more "consumer friendly" applications. The amplifier has a generous heat sink for long mixing sessions. Most monitors have their amp heat sinks inside the cabinet where all the heat is generated and cannot escape. The F5 amplifier ICs are mounted directly to the heat sink, so heat can transmit harmlessly away from the drivers and internal circuitry. The amp also has something no other monitor in its class can boast - A standby circuit that shuts down the amp after 20 mins of non use. This may not seem like much of a feature, but we are all concerned with being "green" and conserving energy in this day and age. This is our small contribution. While the amplifier is extremely important, all of the sound radiates from the front baffle, where the drivers and port are mounted. The woofer uses a paper pulp composite cone, which has a curve-linear geometry and is mounted to a well damped butyl rubber surround. All this contributes to a very well controlled woofer response that integrates seamlessly with the tweeter. The tweeter itself is a treated silk material, which means it's very light, very fast and provides just the right amount of articulation and "air" to high frequencies. The tweeter is mounted in a custom designed wave guide that is a perfect balance between optimizing the low end response of the device, and a great off-axis response in the near field. The well reinforced MDF cabinet minimizes resonances, and the front mounted bass-reflex port allows the bass energy to radiate directly towards the listener. And unlike many other monitors in its class, there is a volume control on the front baffle for easy access. All of these features come together to create a great sounding yet transparent listening and mixing experience...at a great price. Specifications:
• Frequency response: 49 Hz – 22 kHz • Crossover frequency: 2.5 kHz • Low-frequency amplifier power: 40 watts • High-frequency amplifier power: 30 watts • Signal-to-noise: > 100 dB (typical A-weighted) • Polarity: Positive signal at + input produces outward LF one displacement • Input impedance: 20 k ohms balanced, 10 k ohms unbalanced • Input sensitivity: 85 mV pink noise input produces 90dBA output SPL @ one meter with volume control at maximum (101dB Max SPL) • Power: 115V ~50/60 Hz or 230V~50/60 Hz user switchable • Protection: RF interference, output current limiting, over temperature, turn-on/off transient, subsonic filter, external mains fuse • Cabinet: Vinyl-laminated MDF • Size (single monitor): 10.25” x 6.9” x 7.7” / 260 x 176 x 195 mm • Weight (single monitor): 11 lbs / 5 kg
Designed for recording studios, gaming, home theaters and more, the Fluid Audio F8S active subwoofer delivers exceptional bass response in a compact footprint.
Many types of music benefit from bass extension – from Hip-Hop, to House, to Rock. Being able to hear your mix with this bass extension is critical to accurately creating your music. The F8S subwoofer allows you to hear every detail down to 30Hz – and in a compact size.
Mix Engineers want the confidence to know that their mixes translate well on all types of systems. That is why we included a standby footswitch. With a click of the included foot pedal, you can turn the bass on or off, and audition your mix with bass extension and without.
The F8S also has two built-in EQ settings that allow for two different settings - depending on your music: A more conventional Flat response, as well as a “Punch” setting that is perfect for Dance or other mid-bass heavy music.
For further flexibility, the F8S has a variable phase adjustment to fine tune the phase for optimal matching to your L/R monitors (0-180 degrees), a variable low pass crossover filter control (50-200Hz) and a 80Hz high pass filter (used with foot switch) for satellite connections.
frequency response: 30-200Hz
total amplifier power: 200 watts
signal-to noise: > 100dB (typical A-weighted)
polarity: positive signal at + input produces outward LF cone displacement
input sensitivity: 85mV pink noise input produces 97dBA output SPL at one meter with volume control at maximum
power: factory programmed for either 100-120V ~60Hz, 220-240V ~50Hz
protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, external main fuse
cabinet: vinyl-laminated, high acoustic efficient MDF
size: 13.4” x 10” x 10.5”, 340 x 254 x 270mm
Weight: 18.7 lbs / 8.5 kg
The SMS6000-P monitor stands are another great product from On-Stage Stands, which provides high-quality equipment solutions for recording, touring, and performing musicians all over the world. Whether you need to outfit your studio with various kinds of microphone stands - from booms to desktop to round base - or you need to set up all your keyboards, guitars, studio monitors, and more, On-Stage Stands has a diverse selection of durable stands to meet your needs. PA stands, rack stands, amp stands, music stands, and even stand cases are just a few of their additional offerings. For all your music equipment stand accessory needs, look to On-Stage Stands.
Attractive design with steel, arc-welded construction
90 lbs weight capacity
Triangular metal base with adjustable leveling spikes
Large, sturdy metal platform with soft, rubberized padding reduces vibration
Platform size 9-1/2" square
Five locking height adjustment positions: 36", 40", 44" and 48", with maximum height of 54"